On 10 July 2009 Steve Kehlet said: “For a while I’ve been reading I Love Typography, which describes itself as a means of bringing the subject of Typography to the masses. I am definitely part of the masses, I know I don’t have the critical eye and patience needed for good page design, as made evident by my site with its uninspired look, horrible colors, blocky layout, and general failure to render properly in any browser but Safari. But as I Love Typography says, it is truly inspiring at times to see these beautiful fonts and what people have done with them. Each article showcases numerous typefaces and sometimes works of art created with them. It’s a fascinating read on a beautiful topic I now realize I know so little about.” So he starts to look at it:
Below are images from Dale Chihuly’s Gardens and Glass installed at botanical gardens all over the world. Perfect juxtapositions of beautifully crafted objects, once fluid and rapidly changing, now fixed in time. Purposefully and collaboratively placed in similar backgrounds. The living objects continue to slowly change and grow in ways that are impossible to observe in a single visit. The now-fixed and eternally-changing are simply together, enhancing each other’s beauty, creating a place.
What can designers of modern, fluid, information patterns learn from this stunning collaboration between botany and art? How can cleaning your data and preparing records for deep, widely distributed archiving feel more like working in your garden? If dynamic growing data collections could be shown, and tended to, in forms that were able to be made more beautiful over time…what do newly fixed data structures look and act like in context of slowly changing knowledge domains forming beautifully tended backgrounds?
To really see, be surrounded by, experience and wonder for yourself, please go to the Phipps Conservatory in Pittsburgh PA before November 11, 2007 – where juxtaposing dynamic forms is made real.