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	<title>Accuracy&#38;Aesthetics</title>
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		<title>Taking Apart and Putting Back Together in a Repeatable Process</title>
		<link>http://accuracyandaesthetics.com/?p=1685</link>
		<comments>http://accuracyandaesthetics.com/?p=1685#comments</comments>
		<pubDate>Sun, 27 Jun 2010 14:02:19 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
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		<description><![CDATA[Taking an idea apart can be very informative. Especially when various parts need to be updated and optimized, continually changing like software releases. ]]></description>
			<content:encoded><![CDATA[<p>The greatest thing about relational databases is they store everything loose in some kind of homogeneous level playing field. It is only be establishing relationships between data that anyone is able to see anything in context. Without context, they are just data. In context they are messages, thoughts, ideas, studies, results, and work products.</p>
<p>If an idea is very complex sometimes it helps to break it down into component parts. Systematically taking it apart to understand what makes this idea tick.</p>
<p><a href="http://www.designitstudio.org/archive/girls_takeapart.jpg"><img class="aligncenter size-full wp-image-1686" title="girls_takeapart" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/girls_takeapart.jpeg" alt="" width="389" height="292" /></a><a href="http://www.designitstudio.org/archive/girls_takeapart.jpg">DesignIT Studios</a></p>
<p><a href="http://www.starshipmodeler.com/other/sp_angel_clean_03.jpg"><img class="aligncenter size-large wp-image-1687" title="sp_angel_clean_03" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/sp_angel_clean_03-560x449.jpg" alt="" width="560" height="449" /></a><a href="http://www.starshipmodeler.com/other/sp_angel_clean_03.jpg">Starship Modeler</a><a href="http://upload.wikimedia.org/wikipedia/commons/8/80/Watch_movement.png"><img class="aligncenter size-large wp-image-1688" title="Watch_movement" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/Watch_movement-560x418.png" alt="" width="560" height="418" /></a><a href="http://upload.wikimedia.org/wikipedia/commons/8/80/Watch_movement.png">Wikicommons Watch Movement</a></p>
<p>Taking an idea apart can be very informative. Especially when various parts need to be updated and optimized, continually changing like software releases. If the watch above was wordpress, the Swift theme, and the internet each gear changes sooner or later but the whole watch still needs to work together if it is to continue functioning.  Putting things back together offers it&#8217;s own set of challenges.  There is an opportunity to purge elements that are no longer useful during this process. Like a hoarder moving everything out of their house onto the curb then back into the house, maybe some of those items are not worth saving after all. Or fixing a car engine, or someones medical condition, when it is unclear exactly what the problem is but simply by taking it apart and putting it back together, whatever was not working gets repaired.</p>
<p><a href="http://idsamp.files.wordpress.com/2009/07/prod_autopsy.jpg"><img class="aligncenter size-full wp-image-1689" title="prod_autopsy" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/prod_autopsy.jpeg" alt="" width="400" height="417" /></a><a href="http://idsamp.files.wordpress.com/2009/07/prod_autopsy.jpg">IDSA Materials and Processes Section</a></p>
<p>Instructions are needed, parts need to be labeled. A sequence of reassembly is needed to ensure the reassembled whole still is the same. It can be difficult to see how the parts fit together when viewed too close.</p>
<p><a href="http://carolpadberg.com/home.html"><img class="aligncenter size-full wp-image-1690" title="n28179988180_1170098_1388" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/n28179988180_1170098_1388.jpeg" alt="" width="250" height="250" /></a><a href="http://carolpadberg.com/home.html">Carol Padburg</a></p>
<p>Because everyone&#8217;s perception and experience is different, the exact same elements, in almost exactly the same combination may be understood a different way from different points of view. The receiving end may be &#8220;reading something into&#8221; what the sender intended. It may not be possible for two different people to consistently see the same things the same ways.</p>
<p><a href="http://media.photobucket.com/image/put%20back%20together/Ali3423/lovebclovesfirst.jpg"><img class="aligncenter size-full wp-image-1691" title="lovebclovesfirst" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/lovebclovesfirst.jpeg" alt="" width="480" height="360" /></a><a href="http://media.photobucket.com/image/put%20back%20together/Ali3423/lovebclovesfirst.jpg">Put Back Together Pictures</a></p>
<p>However, this is not true for machines like computers or networks like the internet because machines have no prejudices, emotions, or previous experiences.  They simply process the information, break up whole ideas into packets, send them somewhere, another machine puts them back together. For this to be reliable everything on both ends needs to be a repeatable process. It would be so helpful to have a mold with the end result packed in with every packet to ensure consistency. MIT has just started a project to map controversies that may be useful to understand multiple interpretations of the same information.</p>
<p><a href="http://www.demoscience.org/controversies/index.php"><img class="aligncenter size-large wp-image-1693" title="Mapping Controversies" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/Mapping-Controversies-560x264.jpg" alt="" width="560" height="264" /></a><br />
<a href="http://www.demoscience.org/controversies/index.php">MIT Mapping Controversies Project</a></p>
<p>This project is important today because we are surrounded by so many controversies, and so much data, it&#8217;s difficult to sort out which parts are actually valid, worth processing, keeping in the information houses where we store things. For example the Washington Post had an article today about the disconnect between science and the general public entitled &#8220;<a href="http://www.washingtonpost.com">Not Blinded by Science, but Ideology</a>&#8221; where global warming is a perfect example.</p>
<p>To avoid using information the wrong way, or putting together messages, thoughts, and ideas that may be different than original authors intended, especially while processing the data in emotionless machines &#8211; repeatable processes are needed.</p>
<p><a href="http://bzenco.com/images/ITILDiagram1.jpg"><img class="aligncenter size-full wp-image-1694" title="ITILDiagram1" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/ITILDiagram1.jpeg" alt="" width="400" height="400" /></a><a href="http://bzenco.com/images/ITILDiagram1.jpg">BZen Consulting</a></p>
<p><a href="http://www.info-sight-partners.com/Actionability_Index.html"><img class="aligncenter size-full wp-image-1695" title="image006" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/image006.png" alt="" width="462" height="458" /></a><a href="http://www.info-sight-partners.com/Actionability_Index.html">Info-Sight Partners Actionability Index</a></p>
<p><a href="http://global.wonderware.com/SiteCollectionImages/Products/Product/Performance%20Software/mes_diagram_lg.jpg"><img class="aligncenter size-large wp-image-1696" title="mes_diagram_lg" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/mes_diagram_lg-560x447.jpg" alt="" width="560" height="447" /></a><a href="http://global.wonderware.com/SiteCollectionImages/Products/Product/Performance%20Software/mes_diagram_lg.jpg">Global Wonderware</a></p>
<p>Today the primary representation of how pieces of information are to be put back together need to work with SQL. Looking at the relationships is usually just miles and miles of code. However, there is a company at http://mkweb.bcgsc.ca who makes <a href="http://mkweb.bcgsc.ca/schemaball/?tour">Schemaball, a Schema Viewer for SQL Databases </a>where the relationships themselves can be put under a microscope and examined across the whole database in one glance.</p>
<p><a href="http://mkweb.bcgsc.ca/schemaball/?tour"><img class="aligncenter size-large wp-image-1697" title="3schemas" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/3schemas-560x186.png" alt="" width="560" height="186" /></a><img class="aligncenter size-large wp-image-1698" title="ugene-19-small" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/ugene-19-small-560x280.png" alt="" width="560" height="280" /></p>
<p><img class="aligncenter size-large wp-image-1699" title="circos" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/circos-560x560.png" alt="" width="560" height="560" /></p>
<p>It&#8217;s curious why geometry proper is not used more often to direct the arc, layouts and relationships. Something like a mold could be useful to ensure the reassembly is 100 percent correct on the receiving end, to match exactly, what the sender intended.</p>
<p><a href="http://www.smooth-on.com/gallery.php?galleryid=289"><img class="aligncenter size-full wp-image-1700" title="Picture27" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/06/Picture27.jpeg" alt="" width="480" height="640" /></a><a href="http://www.smooth-on.com/gallery.php?galleryid=289">Smooth-On.com</a></p>
<p>But how would you store and encode that geometry?</p>
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		<title>Emergent versus Imposed Boundaries</title>
		<link>http://accuracyandaesthetics.com/?p=1666</link>
		<comments>http://accuracyandaesthetics.com/?p=1666#comments</comments>
		<pubDate>Mon, 24 May 2010 20:13:13 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
				<category><![CDATA[Architecture]]></category>
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		<description><![CDATA[Not only watch how the semantic web is emerging, but to direct it's flow in productive ways, geared for people in different areas that may vary widely in their density and resources, rather than as one empire. Because that only causes trouble in the long run. ]]></description>
			<content:encoded><![CDATA[<p>When organizing large quantities of resources and information in the digital world&#8230; putting things into groups, determining what goes where and assigning boundaries, it can be helpful to look at the real world for lessons learned.  Imposing boundaries in unnatural locations is bound to fail sooner or later, the results can be disastrous taking generations to overcome.</p>
<p>Take for example Southern Africa. Oceans, mountains, deserts, vegetation and other natural features determined where people lived and worked.</p>
<p><img class="aligncenter size-full wp-image-1668" title="1_southafphysical" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/1_southafphysical.jpg" alt="" width="432" height="350" /><em> </em></p>
<p><em><a href="http://exploringafrica.matrix.msu.edu/images/southafphysical.jpg">Physical Geography </a>and <a href="http://exploringafrica.matrix.msu.edu/images/africavegetation.jpg">Natural Vegetation</a><br />
</em><em>from Exploring Africa at Michigan State University</em> </p>
<p><a href="http://exploringafrica.matrix.msu.edu/images/africavegetation.jpg"><img class="aligncenter size-full wp-image-1669" title="2_africavegetation" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/2_africavegetation.jpg" alt="" width="578" height="603" /></a></p>
<p>Over time, people settled in various areas surrounded by their culture. Learning the best ways to be productive based on the conditions in their area &#8211; whether it was a jungle with vast resources or a desert with very few. </p>
<p><a href="http://africamedia.typepad.com/africa-maps/African_language_families.png"><img class="aligncenter size-full wp-image-1673" title="6_Tribes" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/6_Tribes.bmp" alt="" /></a><em>From <a href="http://africamedia.typepad.com/my_weblog/2007/11/advanced-maps-o.html">Africa Expat</a><br />
</em><br />
Ancient people such as the Shona in modern day Zimbabwe congregated and stuck together in different areas.  Many of these languages and traditions continue today. But these curving, natural, and emergent boundaries don&#8217;t match boundaries imposed from outside cultures.</p>
<p><a href="http://upload.wikimedia.org/wikipedia/commons/b/b1/Colonial-Africa.png"><img class="aligncenter size-full wp-image-1672" title="5_Colonial-Africa" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/5_Colonial-Africa.png" alt="" width="293" height="334" /></a><em>From </em><a href="http://en.wikipedia.org/wiki/File:ColonialAfrica_1914.png"><em>Wikimedia Commons</em></a></p>
<p>Occasionally, an imposed boundary may coincide with a natural boundary such as a river.  More often though, imposed boundaries are designed to work within larger more global schemes, without paying enough attention to the local impact.</p>
<p><a href="http://en.wikipedia.org/wiki/File:The_British_Empire.png"></a><a href="http://en.wikipedia.org/wiki/File:The_British_Empire.png"><img class="aligncenter size-large wp-image-1674" title="7_The_British_Empire" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/7_The_British_Empire-560x284.png" alt="" width="560" height="284" /></a><em>From </em><a href="http://en.wikipedia.org/wiki/File:The_British_Empire.png"><em>Wikimedia Commons</em></a></p>
<p>Anyone can see where arbitrarily drawing lines has gotten us today.  What can be learned from history to avoid similar situations in the fresh, clean, brand new digital world where ideas and information are still patterning out and have no where in particular to belong except where they are emerging as &#8220;next to something else&#8221; or arranged for convenient, all encompassing, upper level views</p>
<p><a href="http://linkeddata.org/"><img class="aligncenter size-large wp-image-1675" title="8_lod-datasets_2009-03-27_colored" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/8_lod-datasets_2009-03-27_colored-560x427.png" alt="" width="560" height="427" /><em>Linked Open Data</em></a><em>, Colored, as of March 2009</p>
<p></em>What about situations where digital terrain and intellectual data boundaries are being purposefully laid out. For example <a href="http://masterwebscience.files.wordpress.com/2009/04/sans-titre22.jpg">Master Web of Science</a>, <a href="http://mapofscience.com/">mapofscience.com </a>and <a href="http://scimaps.org/">Places &amp; Spaces</a> where navigating the data is like exploring uncharted territory, and <a href="https://www.cs.indiana.edu/~katy/">Katy Borner </a>and collaborators seek to enable the discovery of new worlds while also marking territories inhabited by unknown monsters.</p>
<p><a href="http://masterwebscience.files.wordpress.com/2009/04/sans-titre22.jpg"><img class="aligncenter size-large wp-image-1682" title="sans-titre22" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/sans-titre22-560x388.jpg" alt="" width="560" height="388" /></a><br />
The difference in the semantic world versus the physical world should be that the digital world has no constraints like rivers or mountains. Eventually all of the layout can be determined.  Attention does need to be paid to where cultures are emerging, and how this can benefit everyone both globally and locally.</p>
<p> Not only watch how the semantic web is emerging, but to direct it&#8217;s flow in productive ways, geared for people in different areas that may vary widely in their density and resources, rather than as one empire. Because that only causes trouble in the long run.</p>
<p><a href="http://err.bio.nyu.edu/cytoscape/bionetbuilder/webstart/docs/images/image051.png"><img class="aligncenter size-full wp-image-1679" title="12_layout algorithm" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/12_layout-algorithm.png" alt="" width="396" height="474" /><em>Layout Algorithm, NYU</em></a></p>
<p><a href="http://informationandvisualization.de/files/data_mining_algos.jpg"><img class="aligncenter size-full wp-image-1678" title="11_data_mining_algos" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/11_data_mining_algos.jpg" alt="" width="500" height="280" /><em>Data Mining at Information and Visualization</em></a></p>
<p><a href="http://www.csml.org/related-projects/biographlayout-p/Random.png"><img class="aligncenter size-large wp-image-1681" title="14_Random" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/14_Random-560x435.png" alt="" width="560" height="435" /><em>Random Layout Algorithm </em></a><em>at Cell System Markup Language (CSML) an XML format for modeling, visualizing and simulating biopathways.</em></p>
<p>The advantage of paying attention to this is, reaching an appropriate balance between random emergence and directed flow will ultimately serve end users and programmers better than any other option, and the solutions will last for a long time.</p>
<p><a href="http://blogs.nasa.gov/cm/wiki/Federal%20Knowledge%20Management%20Working%20Group%20(KMWG).wiki/home/H.%20Knowledge%20Centers.html"><img class="aligncenter size-large wp-image-1676" title="9_CoPs" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/05/9_CoPs-560x425.gif" alt="" width="560" height="425" /></a><br />
<em><a href="http://blogs.nasa.gov/cm/wiki/Federal%20Knowledge%20Management%20Working%20Group%20(KMWG).wiki/home/H.%20Knowledge%20Centers.html">Communities of Practice at NASA</a></em></p>
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		<title>Time Based Analysis of US Healthcare Reforms</title>
		<link>http://accuracyandaesthetics.com/?p=1656</link>
		<comments>http://accuracyandaesthetics.com/?p=1656#comments</comments>
		<pubDate>Fri, 02 Apr 2010 02:19:27 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
				<category><![CDATA[Architecture]]></category>
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		<description><![CDATA[Below is a time based analysis of the US Healthcare Reforms created by Frank Snyder, a physicist who worked in thinking machines and computer vision and now spends his time traveling the world and thinking about anthropology and religion. Image below see the link for the Google Doc. Whole Building Design Guide, Clinical Relationships. A [...]]]></description>
			<content:encoded><![CDATA[<p>Below is a <a href="https://spreadsheets.google.com/ccc?key=0AjGQbZOR7pRJdE8xN1F4RUx0TGJLQ1dVamkwZ1F0cVE&amp;hl=en">time based analysis of the US Healthcare Reforms</a> created by Frank Snyder, a physicist who worked in thinking machines and computer vision and now spends his time traveling the world and thinking about anthropology and religion. Image below see the link for the Google Doc.</p>
<p><img class="aligncenter size-full wp-image-1657" title="heathcare" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/04/heathcare.gif" alt="" width="1033" height="615" /></p>
<p><a href="http://www.wbdg.org/images/hospital_3.gif"><img class="alignnone" title="Clinical Relationships" src="http://www.wbdg.org/images/hospital_3.gif" alt="" width="300" height="285" /></a> Whole Building Design Guide, Clinical Relationships.</p>
<p>A few visualizations on Manyeyes are not showing up there at this moment, the visualizations are</p>
<p><img class="aligncenter size-full wp-image-1658" title="Healthcare 2" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/04/Healthcare-2.gif" alt="" width="338" height="266" /></p>
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		<title>Spending More Time with Better Information</title>
		<link>http://accuracyandaesthetics.com/?p=1624</link>
		<comments>http://accuracyandaesthetics.com/?p=1624#comments</comments>
		<pubDate>Sun, 14 Mar 2010 17:14:12 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Building]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Mathematics]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Programming]]></category>
		<category><![CDATA[better information]]></category>
		<category><![CDATA[exchange architecture]]></category>
		<category><![CDATA[internet design]]></category>
		<category><![CDATA[perspective]]></category>
		<category><![CDATA[point of view]]></category>
		<category><![CDATA[slow down]]></category>
		<category><![CDATA[streamline]]></category>

		<guid isPermaLink="false">http://accuracyandaesthetics.com/?p=1624</guid>
		<description><![CDATA[There needs to be a better way to get a longer perspective on what surrounds ideas and information. Where they came from, how they have evolved, and which parts need to stay connected so they can hold together and stand the test of time.]]></description>
			<content:encoded><![CDATA[<p>In the book <a href="http://www.jaronlanier.com/gadgetwebresources.html">You Are Not a Gadget</a> Jaron Lanier talks about the unrecognized value of ideas generated by individuals, and the unintended effects the internet is having on musicians, visual artists, writers and other professional creative people. One way he describes it is the the &#8220;<em>digital flattening of expression into a global mush</em>&#8220;. Another is the &#8220;<em>adoration of fragments</em>&#8220;.</p>
<p style="text-align: center;"><img class="aligncenter size-full wp-image-1625" title="4323672510_3a1e73cdd7" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/03/4323672510_3a1e73cdd7.jpeg" alt="" width="500" height="401" /><em>From </em><a href="www.flickr.com/photos/psd/4323672510/"><em>Jaron Lanier at the RSA</em></a><em> uploaded to </em><a href="www.flickr.com/"><em>Flickr</em></a><em> by </em><a href="http://www.flickr.com/photos/psd/"><em>PSD</em></a><em>.</em></p>
<p style="text-align: left;">One of the best examples he uses is what <a href="http://en.wikipedia.org/wiki/Musical_Instrument_Digital_Interface">MIDI</a> did to music &#8220;<em>squeezing all of musical expression through a limiting model of the actions of keys on a musical keyboard</em>&#8220;. All of the nuances, individual interpretations and stellar performances are gone. Every performance is the same.</p>
<p style="text-align: left;">People are not spending enough time with better information because some parts of the internet design do not allow for multiple iterations without ditching the previous versions, or any way to see how an idea or the information surrounding it has evolved.  There is no variation of the same, there are only exact copies and links.  A new digital architecture is needed with provisions for continuity, and coming back to an idea again with a fresh perspective, to promote the slow building and appreciation of work that takes longer than a few minutes or hours to create or interpret. There is hope though, with organizations like the <a href="http://www.longnow.org/">Long Now Foundation</a> working on <a href="http://www.longnow.org/projects/">projects</a> to foster long term thinking and responsibility. It is a monumentally large challenge to consider more efficient ways to process infinite data fields intersecting &#8211; in such a way that better data might rise up out of the fray.</p>
<p style="text-align: center;"><img class="aligncenter size-full wp-image-1626" title="DI208Fig01" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/03/DI208Fig01.gif" alt="" width="416" height="437" /><em>From </em><em><a href="http://www.maxim-ic.com/app-notes/index.mvp/id/1842">The Effects of Digital Crosstalk in Data Converters<br />
</a>by Maxim where Innovation is Delivered</em></p>
<p style="text-align: left;">For better data to be created in the first place, professional creative people need to be paid reasonable rates to be ABLE to spend more time making work that in turn lasts longer out in the world. Consider for example these beer taps, an actual designer was paid a reasonable rate to figure out a shape, they were free to use any typeface, the only design requirement was a universal hookup. That is all internet standards should be, universal screw threads that allow designs to be professionally created, manufactured, and distributed.</p>
<p style="text-align: center;"><img class="aligncenter size-large wp-image-1628" title="DrDremoDonutBeerTap" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/03/DrDremoDonutBeerTap-560x420.jpg" alt="" width="560" height="420" /><a href="http://www.beerquest1k.com/The%20Boneyard.html"><em>Dr. Dremo Donut Beer Tap from the Quest for the Holy Grain</em></a></p>
<p style="text-align: left;">It truly is a conceptual and mathematical problem to devise a system of standard access points that allow data to slowly evolve, and get better, in ways that enough people can become truly engaged in what hand crafters have made.</p>
<p style="text-align: left;">Some designs will last longer than others but there is no inherent functionality in the design of the internet currently to let digital cross talk start eliminating what should sticks around longer or pop up in searches faster because it is actually <strong>better </strong>or supported by people who have actually looked at some thing from all sides. The idea of what fits is underused because there is no geometry around data forcing some information to stick around certain areas or flow through and keep on going.</p>
<p style="text-align: left;">Processes need to be developed to start dealing with the pace ideas and information fly around.  Data flow needs to be treated more like music. Like many people have observed &#8211; the symbolic encoding can be very simple and the same everywhere &#8211; but more time and attention is needed for actually the shapes and architecture of what supports a digital idea or lets it exchange faster, slower, closer, further away. <img class="aligncenter size-full wp-image-1629" title="articles-swimming-streamline" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/03/articles-swimming-streamline.jpeg" alt="" width="396" height="300" /></p>
<p style="text-align: center;"><em>Yale Research, <a href="http://ysm.research.yale.edu/article.jsp?articleID=291&amp;printable=1">Breakthroughs in the Water, the Science of Swimming</a></em></p>
<p style="text-align: left;">What would such an ideal exchange architecture look like? Where would the universal screw threads be and how can the visitor experience be directed through this information space like a museum design? Where are the long axial views? The hints of what might be around the corner? Where do you pause and consider individual works? There is a flatness to digital information, everything is in your face on the same plane. There needs to be a better way to get a longer perspective on what surrounds ideas and information. Where they came from, how they have evolved, and which parts need to stay connected so they can hold together and stand the test of time.</p>
<p style="text-align: center;"><img class="aligncenter size-full wp-image-1630" title="dna.htm" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/03/dna.htm.jpeg" alt="" width="337" height="333" /><em><a href="http://emergent-culture.com/introducing-einsteins-piper-the-tzolkin-code-unveiled-and-how-every-event-is-a-synchronicity-sos-pt-5/">DNA from Emergent Culture</a></em></p>
<p style="text-align: left;">
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		<item>
		<title>Open Standards Development Process</title>
		<link>http://accuracyandaesthetics.com/?p=1619</link>
		<comments>http://accuracyandaesthetics.com/?p=1619#comments</comments>
		<pubDate>Sun, 28 Feb 2010 13:16:15 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Open Source]]></category>
		<category><![CDATA[Programming]]></category>
		<category><![CDATA[OASIS]]></category>
		<category><![CDATA[OGC]]></category>
		<category><![CDATA[OmniClass]]></category>
		<category><![CDATA[Standards]]></category>

		<guid isPermaLink="false">http://accuracyandaesthetics.com/?p=1619</guid>
		<description><![CDATA[Based on conversation with Louis Hecht at the Open Geospatial Consortium, to develop a system for delivering open floor plan drawings of buildings to fire departments in their truck would require all of the steps above.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="size-large wp-image-1620 aligncenter" title="Open Process" src="http://accuracyandaesthetics.com/wp-content/uploads/2010/02/Open-Process-560x790.png" alt="" width="560" height="790" /></p>
<p style="text-align: center;">
<p style="text-align: center;">Based on conversation with Louis Hecht at the <a href="http://www.opengeospatial.org/">Open Geospatial Consortium</a>, to develop a system for delivering open floor plan drawings of buildings to fire departments in their truck would require all of the steps above.</p>
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		<title>Trace Back In Time &#8211; to tie together</title>
		<link>http://accuracyandaesthetics.com/?p=1582</link>
		<comments>http://accuracyandaesthetics.com/?p=1582#comments</comments>
		<pubDate>Fri, 06 Nov 2009 01:46:43 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Building]]></category>
		<category><![CDATA[Open Source]]></category>
		<category><![CDATA[Programming]]></category>
		<category><![CDATA[Adoption]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Mac]]></category>
		<category><![CDATA[Obvious]]></category>
		<category><![CDATA[Preferenc]]></category>
		<category><![CDATA[Standards]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Trace]]></category>

		<guid isPermaLink="false">http://accuracyandaesthetics.com/?p=1582</guid>
		<description><![CDATA[What would it be like to trace the history of standards and technology adoption through time? ]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="size-full wp-image-1612 aligncenter" title="sahulsauasd" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/11/sahulsauasd.png" alt="" width="468" height="355" /></p>
<p><a href="http://images.google.com/imgres?imgurl=http://www.medgadget.com/archives/img/sahulsauasd.png&amp;imgrefurl=http://medgadget.com/archives/2009/01/how_stomach_bacteria_can_trace_prehistoric_events.html&amp;usg=__KqNUN6-_j74K3XvpJiq2PZgKPWk=&amp;h=355&amp;w=468&amp;sz=39&amp;hl=en&amp;start=13&amp;tbnid=hWfsO2QbBOIIpM:&amp;tbnh=97&amp;tbnw=128&amp;prev=/images%3Fq%3Dtrace%2Bback%2Bin%2Btime%26gbv%3D2%26hl%3Den%26sa%3DG" target="_blank"><em>How Stomach Bacteria Can Trace Prehistoric Events</em></a><em>, by </em><a href="http://medgadget.com/"><em>Med Gadget</em></a><em> Internet Journal of Emerging Medical Technologies.</em></p>
<p>What would it be like to trace the history of standards and technology adoption through time?</p>
<p>Would it be obvious most building codes are in response to a disaster or emergency?</p>
<p>Could you see that most people interested in open source prefer Macs?</p>
<p style="text-align: center;"><img class="size-full wp-image-1614 alignleft" title="bwave_sofa" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/11/bwave_sofa.jpeg" alt="" width="454" height="280" /><br />
<img class="size-full wp-image-1613 aligncenter" title="bwavesofawaves" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/11/bwavesofawaves.jpeg" alt="" width="264" height="255" /></p>
<p><a href="http://www.medgadget.com/archives/2009/11/brainwave_sofa_is_exactly_what_you_were_thinking.html" target="_blank">Brainwave Sofa is exactly what you were thinking</a> also at MedGadget where &#8220;Ever wondered what a piece of furniture formed from raw data extracted from your brain would look like? But of course you have, and so did Lucas Maassen and Dries Verbruggen, the designers of the Brainwave Sofa. Mr. Verbruggen had his brain activity measured while he closed his eyes for 3 seconds. The extracted EEG data was used to create a 3D landscape with the x-axis representing the frequency of brainwave activity in hertz, the y-axis is the percentage of activity, and the z- axis is time. The sofa was then created in its physical form by a five axis computer numerical controlled machine, which creates a three dimensional object out of foam.&#8221;</p>
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		<title>I Love Typography</title>
		<link>http://accuracyandaesthetics.com/?p=1577</link>
		<comments>http://accuracyandaesthetics.com/?p=1577#comments</comments>
		<pubDate>Thu, 05 Nov 2009 01:45:49 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
				<category><![CDATA[Building]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[aligned exactly right]]></category>
		<category><![CDATA[alignleft]]></category>
		<category><![CDATA[and general failure to render properly in any browser but Safari]]></category>
		<category><![CDATA[annotation]]></category>
		<category><![CDATA[beautifully crafted objects]]></category>
		<category><![CDATA[blocky layout]]></category>
		<category><![CDATA[browser]]></category>
		<category><![CDATA[Browsers]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[Closeup]]></category>
		<category><![CDATA[combination]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[Conformal]]></category>
		<category><![CDATA[context]]></category>
		<category><![CDATA[contrast]]></category>
		<category><![CDATA[disambiguate]]></category>
		<category><![CDATA[documentation]]></category>
		<category><![CDATA[ease of processing]]></category>
		<category><![CDATA[evolution]]></category>
		<category><![CDATA[Found]]></category>
		<category><![CDATA[gathering]]></category>
		<category><![CDATA[General Public]]></category>
		<category><![CDATA[GENERATIONS]]></category>
		<category><![CDATA[helvetica]]></category>
		<category><![CDATA[horrible colors]]></category>
		<category><![CDATA[information]]></category>
		<category><![CDATA[information flow]]></category>
		<category><![CDATA[Interpretation]]></category>
		<category><![CDATA[knowledge]]></category>
		<category><![CDATA[Language]]></category>
		<category><![CDATA[Mapping]]></category>
		<category><![CDATA[Media/Publication]]></category>
		<category><![CDATA[part]]></category>
		<category><![CDATA[Pattern]]></category>
		<category><![CDATA[picture]]></category>
		<category><![CDATA[point]]></category>
		<category><![CDATA[portal]]></category>
		<category><![CDATA[process]]></category>
		<category><![CDATA[progress]]></category>
		<category><![CDATA[render properly]]></category>
		<category><![CDATA[section]]></category>
		<category><![CDATA[See]]></category>
		<category><![CDATA[sequence]]></category>
		<category><![CDATA[shape]]></category>
		<category><![CDATA[shapeshift]]></category>
		<category><![CDATA[share]]></category>
		<category><![CDATA[skipping steps]]></category>
		<category><![CDATA[sort]]></category>
		<category><![CDATA[Standard]]></category>
		<category><![CDATA[Steve Kehlet]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[Subject]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[System]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[term]]></category>
		<category><![CDATA[theme]]></category>
		<category><![CDATA[topic]]></category>
		<category><![CDATA[Typography]]></category>
		<category><![CDATA[uninspired look]]></category>
		<category><![CDATA[units]]></category>
		<category><![CDATA[view]]></category>
		<category><![CDATA[voice]]></category>
		<category><![CDATA[web]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://accuracyandaesthetics.com/?p=1577</guid>
		<description><![CDATA[Steve Kehlet looks at Typography]]></description>
			<content:encoded><![CDATA[<p>On 10 July 2009 Steve Kehlet said: <em>&#8220;<a title="helvetica" href="http://accuracyandaesthetics.com/?attachment_id=1578"><img class="attachment wp-att-1578 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/11/helvetica.png" alt="" width="215" height="329" /></a>For a while I&#8217;ve been reading <a href="http://ilovetypography.com/">I Love Typography</a>, which describes itself as a means of bringing the subject of Typography to the masses.  I am definitely part of the masses, I know I don&#8217;t have the critical eye and patience needed for good page design, as made evident by my site with its uninspired look, horrible colors, blocky layout, and general failure to render properly in any browser but Safari.  But as </em><em>I Love Typography says, it is truly inspiring at times to see these beautiful fonts and what people have done with them.  Each article showcases numerous typefaces and sometimes works of art created with them.  It&#8217;s a fascinating read on a beautiful topic I now realize I know so little about.&#8221; </em>So he starts to look at it:</p>
<p><a title="helvetica" href="http://accuracyandaesthetics.com/?attachment_id=1578"><img class="attachment wp-att-1578 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/11/helvetica.png" alt="" width="215" height="329" /></a></p>
<p>For the full story, see <a href="http://www.kehlet.cx/articles/195.html" target="_blank">1 &lt;3 Typography</a> and the <a href="http://ilovetypography.com/" target="_blank">I Love Typography</a> site. <a title="mota-italic1" href="http://accuracyandaesthetics.com/?attachment_id=1580"><img class="attachment wp-att-1580 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/11/mota-italic1.jpg" alt="" width="520" height="347" /></a></p>
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		<title>Appeal us</title>
		<link>http://accuracyandaesthetics.com/?p=1573</link>
		<comments>http://accuracyandaesthetics.com/?p=1573#comments</comments>
		<pubDate>Tue, 03 Nov 2009 03:10:44 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[complete reading list]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[references to works]]></category>

		<guid isPermaLink="false">http://accuracyandaesthetics.com/?p=1573</guid>
		<description><![CDATA[Sent from Myriam Solar, multidisiplinary artist in Spain APPEAL US is a pool of inspiration consisting of references to works of any kind that one personally appreciates. It was generated through an invitation based process, for the Annex Amperdans / Antwerp 2009. People were kindly asked to share 2 works that inspire them at the [...]]]></description>
			<content:encoded><![CDATA[<p>Sent from<a href="http://www.everyoneweb.es/myriamsolar/" target="_blank"> Myriam Solar</a>, multidisiplinary artist in Spain</p>
<p><a title="myriamsolar" href="http://accuracyandaesthetics.com/?attachment_id=1575"><img class="attachment wp-att-1575 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/11/myriamsolar.jpg" alt="" width="420" height="267" /></a></p>
<p><span style="text-decoration: underline;">APPEAL US is a pool of inspiration consisting of references to works of any kind that one personally appreciates. It was generated through an invitation based process, </span><span style="text-decoration: underline;">for the Annex Amperdans / Antwerp</span><span style="text-decoration: underline;"> 2009. People were kindly asked to share 2 works that inspire them at the moment or that have served as inspiration to them for a while.</span></p>
<p>An up-to-date print-out of the APPEAL US list was distributed each evening in the foyer of <a title="Monty" href="http://www.monty.be/" target="_blank">Monty / Antwerp</a>. A computer was at the visitors&#8217; disposal until october 24 for online registration.  Since than APPEAL US is considered a &#8216;complete&#8217; reading-list and remains accessible online. Please see http://www.open-frames.net/appeal_us/ for this inspiring project.</p>
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		<title>IT Graffiti in Public Buildings</title>
		<link>http://accuracyandaesthetics.com/?p=1555</link>
		<comments>http://accuracyandaesthetics.com/?p=1555#comments</comments>
		<pubDate>Wed, 07 Oct 2009 13:48:51 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[General Public]]></category>
		<category><![CDATA[buildings]]></category>
		<category><![CDATA[Graffiti]]></category>
		<category><![CDATA[Information Technology]]></category>
		<category><![CDATA[Public Buildings]]></category>
		<category><![CDATA[Sloppy]]></category>
		<category><![CDATA[Wires]]></category>

		<guid isPermaLink="false">http://accuracyandaesthetics.com/?p=1555</guid>
		<description><![CDATA[The interface between Information Technology and the real world is not always seamless. Below are images provided by Frank and Jane Snyder on their trip across the United States visiting state capitols and presidential libraries. Where unfortunately, architectural beauty can be blunted by shocking displays of IT graffiti in the form of out-of-place computer/video/audio equipment [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="margin: 0in 0in 0pt;">The interface between Information Technology and the real world is not always seamless. Below are images provided by Frank and Jane Snyder on their trip across the United States visiting state capitols and presidential libraries. Where unfortunately, architectural beauty can be blunted by  shocking displays of IT graffiti in the form of  out-of-place computer/video/audio equipment and wiring.<span> </span>Most buildings have controlled this but  the exceptions are glaring. Their conclusion is each building (public and  private) should have a qualified person responsible to maintain the  architectural beauty of the building by reviewing changes that violate the  buildings visual appeal. That is, keep the IT graffiti out of public view.</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><span><a title="dscn2151" href="http://accuracyandaesthetics.com/?attachment_id=1557"><img class="attachment wp-att-1557 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/10/dscn2151.jpg" alt="" width="700" height="525" /></a><a title="dscn2152" href="http://accuracyandaesthetics.com/?attachment_id=1558"><img class="attachment wp-att-1558 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/10/dscn2152.jpg" alt="" width="700" height="525" /></a><a title="dscn2548" href="http://accuracyandaesthetics.com/?attachment_id=1560"><img class="attachment wp-att-1560 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/10/dscn2548.jpg" alt="" width="700" height="525" /></a><a title="dscn2553" href="http://accuracyandaesthetics.com/?attachment_id=1561"><img class="attachment wp-att-1561 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/10/dscn2553.jpg" alt="" width="700" height="525" /></a><a title="dscn2556" href="http://accuracyandaesthetics.com/?attachment_id=1562"><img class="attachment wp-att-1562 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/10/dscn2556.jpg" alt="" width="700" height="525" /></a><a title="dscn2722" href="http://accuracyandaesthetics.com/?attachment_id=1568"><img class="attachment wp-att-1568 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/10/dscn2722.jpg" alt="" width="525" height="700" /></a></span></p>
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</span></p>
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		<title>Senses of Cinema, Peter Weir, Article by Romy Sutherland humnet.ucla</title>
		<link>http://accuracyandaesthetics.com/?p=1538</link>
		<comments>http://accuracyandaesthetics.com/?p=1538#comments</comments>
		<pubDate>Thu, 24 Sep 2009 02:49:25 +0000</pubDate>
		<dc:creator>Deb</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Humanities]]></category>
		<category><![CDATA[images]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[techniques]]></category>

		<guid isPermaLink="false">http://accuracyandaesthetics.com/?p=1538</guid>
		<description><![CDATA[Always shunning the comfortable resolution, Weir's signature films move audiences beyond the commonplace while keeping them in an unsettled state to the end. His own career has been one which parallels this aspect of his filmmaking: from the start he has preferred to take risks and to wait for a meaningful challenge, rather than follow a winning formula or style. ]]></description>
			<content:encoded><![CDATA[<p><a title="cars" href="http://accuracyandaesthetics.com/?attachment_id=1539"><img class="attachment wp-att-1539 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/cars.jpg" alt="" width="300" height="206" /></a><a title="year" href="http://accuracyandaesthetics.com/?attachment_id=1551"><img class="attachment wp-att-1551 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/year.jpg" alt="" width="300" height="241" /></a><a title="witness3" href="http://accuracyandaesthetics.com/?attachment_id=1550"><img class="attachment wp-att-1550 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/witness3.jpg" alt="" width="280" height="220" /></a><a title="weir3" href="http://accuracyandaesthetics.com/?attachment_id=1549"><img class="attachment wp-att-1549 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/weir3.jpg" alt="" width="140" height="188" /></a><a title="truman1" href="http://accuracyandaesthetics.com/?attachment_id=1548"><img class="attachment wp-att-1548 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/truman1.jpg" alt="" width="300" height="231" /></a><a title="picnic1" href="http://accuracyandaesthetics.com/?attachment_id=1547"><img class="attachment wp-att-1547 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/picnic1.jpg" alt="" width="300" height="185" /></a><a title="picnic" href="http://accuracyandaesthetics.com/?attachment_id=1546"><img class="attachment wp-att-1546 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/picnic.jpg" alt="" width="300" height="207" /></a><a title="mosq" href="http://accuracyandaesthetics.com/?attachment_id=1545"><img class="attachment wp-att-1545 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/mosq.jpg" alt="" width="300" height="200" /></a><a title="homesdale" href="http://accuracyandaesthetics.com/?attachment_id=1543"><img class="attachment wp-att-1543 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/homesdale.jpg" alt="" width="250" height="186" /></a><a title="gallipoli1" href="http://accuracyandaesthetics.com/?attachment_id=1542"><img class="attachment wp-att-1542 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/gallipoli1.jpg" alt="" width="299" height="202" /></a><a title="fearless" href="http://accuracyandaesthetics.com/?attachment_id=1541"><img class="attachment wp-att-1541 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/fearless.jpg" alt="" width="300" height="203" /></a><a title="dps" href="http://accuracyandaesthetics.com/?attachment_id=1540"><img class="attachment wp-att-1540 alignleft" src="http://accuracyandaesthetics.com/wp-content/uploads/2009/09/dps.jpg" alt="" width="220" height="299" /></a></p>
<p>Images from films by Peter Weir, see the <a href="http://archive.sensesofcinema.com/contents/directors/05/weir.html">article</a> by Romy Sutherland of <a href="http://www.humnet.ucla.edu/">humnet.ucla</a> on <a href="http://archive.sensesofcinema.com/index.html">Senses of Cinema</a></p>
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